VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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VELAZQUEZ, Diego Rodriguez de Silva y Princess oil painting


Princess
mk237 1652-1653 Oil on canvas 127x98.5cm
Painting ID::  54789
VELAZQUEZ, Diego Rodriguez de Silva y
Princess
mk237 1652-1653 Oil on canvas 127x98.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Queen oil painting


Queen
mk237 1652-1653 Oil on canvas 234x131.5cm
Painting ID::  54790
VELAZQUEZ, Diego Rodriguez de Silva y
Queen
mk237 1652-1653 Oil on canvas 234x131.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Princess oil painting


Princess
mk237 1653 Oil on canvas 128.5x100cm
Painting ID::  54791
VELAZQUEZ, Diego Rodriguez de Silva y
Princess
mk237 1653 Oil on canvas 128.5x100cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Princess oil painting


Princess
mk237 1654 Oil on canvas 70x58cm
Painting ID::  54792
VELAZQUEZ, Diego Rodriguez de Silva y
Princess
mk237 1654 Oil on canvas 70x58cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Weaver oil painting


Weaver
mk237 1653 oil on canvas 220x289cm
Painting ID::  54793
VELAZQUEZ, Diego Rodriguez de Silva y
Weaver
mk237 1653 oil on canvas 220x289cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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